Friday, 20 August 2010

A Short History and Timeline of Merchants

The Beginnings

Cape Town was established in 1652, when the first Dutch settelers arrived, led by Jan van Riebeek. The original structure for Merchants on Long was built not long after this. Inside you can see the original ‘koffie klip’ (coffee stone) wall’s made out of slate taken directly from Table Mountain, this dates the building back to then, around 350 years ago, when it was a very simple single story detached shop.

Merchants on Long is located on Long Street, which was originally known as ‘De Derde Berg Dwars Straat,’ (The Third Road Parallel to the Mountain.) It was not until the 1790’s that it took on it’s now famous name.

As Cape Town prospered, a second storey was added to the existing buildings and then later still, Victorian shopfronts replaced the ground floor facades and fashionable cast-iron verandahs were added. In many instances the familiar buildings of upper Long Street remain in this state, their interiors complete with beamed yellowwood ceilings, stinkwood and yellowwood panelled doors, together with other details showing their origins.”[1]

We are not sure why Merchants was originally built by the Dutch but in the slate stone walls we found and excavated two Victorian redbrick arched recesses and an Edwardian arch, which we believe to be details remaining from a Romanesque style bathhouse, which it could have been used for at a later point sometime between 1850 and 1870.

Shortly after this, losing some of it’s bacchanalian flair the building went on to become known as Gibson’s when the family of the same name commissioned architect Anthony de Witt to erect a terracotta façade on it. Some believe he built it himself after being inspired by a similar building he saw on a trip to New York, on which he might have based his design.

For several reasons, including that terracotta wasn’t readily available in South Africa at the time, it is more likely that de Witt imported the entire façade from the United Kingdom and re-erected it on the front of the Merchants on Long building when it arrived in Cape Town in 1903 (seven years after it was first built.)

De Witt did have connections with the American firm Millikins who supplied steel framework for buildings in Cape Town– perhaps including that for Gibsons. Inside you can still see the steel pillars, which give support to the structure of the Merchants building.

There is also an original Majolica in the Merchants entrance which bears the ‘T. Gibson & Co.’ name the shop originally carried. Victorian Majolica originated in 1851, but this example would most likely have been created sometime between 1875 and 1901, when Queen Victoria died Majolica creation was superseded by Art Nouveau.

Desiree Picton-Seymour, the leading South African architectural historian describes the Merchants building in several of her books, in ‘Historical Buildings in South Africa’ she says

“Just above Strand Street is a small building of particular interest, the terracotta faced Gibsons, dated 1896. It’s design was based on a similar building in New York, following a visit to the USA by architect Anthony de Witt who had connections with an American firm, Millikins, who supplied steel framework for buildings – including that for Gibsons.”

In ‘Victorian Buildings in South Africa’ Picton-Seymour goes on to describe Merchants as “Undoubtedly the best example of Art Nouveau architecture still left in Cape Town.’

2.

The Acquisition and Restoration of the Building

When we acquired the Merchants on Long building it was an art gallery. It had a low false ceiling and dry-walling which we removed to reveal the original slate and an almost perfect Oregon Pine timber beamed ceiling. There were one or two beams missing which we managed to replace with original beams from the same time period.

The Art Nouveau influence is clearly stated on the delicately sculpted steel inserts on the front door. We took inspiration from this detail and commissioned a full size security door to be made in the same style.

Another important project we took inspiration from and restored was the staircase. Replicating what remained of the original staircase (a few balustrades) we built a new wooden staircase to fit into the building.

The Merchants building has been an incredibly special project to work on as the place holds such a special place in so many Capetonian’s hearts. It has had an incredible history thus far and we hope it will continue to long into the future.

3.

Merchants on Long Timeline

1652 – Jan Van Riebeek founds Cape Town

1652-1700 – Merchants on Long is built out of Koffie-Klip (coffee stone) slate sourced from Table Mountain

1674 – The Castle of Good Hope (Cape Town Castle) is built, also out of Koffie-Klip slate

1790 – Long Street changes it’s name from ‘De Derde Berg Dwars Straat’ (The Third Street Parallel to the Mountain) to ‘Long Street.’

1800 – 1830’s – Cape Town and Long Street begins to prosper and business owners, including Merchants on Long add 2nd stories to their buildings

1850-1870 – Merchants on Long is most likely being used as an exclusive Romanesque style Bath House

1852 – The British take control of Cape Town and as a result Victorian influences become more widespread

1875 – 1901 Merchants on Long is taken over by the Gibson family. They commission an original Majolica inlay for the entrance

1896 – The terracotta façade for the Merchants on Long building is built, in the United Kingdom and then shipped to Cape Town

1896 – 1903 Under the direction of the Gibson family the architect Anthony de Witt erects steel supports within the Merchants building

1901 – Queen Victoria passes away and the Victorian era comes to an end, Art Nouveau influences become more widespread

1903 – The terracotta façade arrives in Cape Town and is put on the front of the Merchants on Long building

1900 – 1970 Merchants on Long operates as a high-end department store

1970 – 1998 Merchants on Long is owned by Mujahid Gamiet Associates

1998 – 2010 Merchants on Long is home to several businesses including a men’s suit store and an Art Gallery 34 on Long which can now be found the Hills Building, Buchanon Square, 160 Sir Lowry Road, Woodstock

2010 – Merchants on Long re-opens it’s doors as South Africa’s first salon store of it’s kind



[1] Historical Buildings in South Africa. Desiree Picton-Seymour. Struikhof Publishers. 1989.

Thursday, 19 August 2010

some more long street history

take note - the gargoyle on the left hand page is at Merchants on Long !

a look inside Merchants on Long in 1994

Friday, 06 August 2010

the behind the scenes video!

http://www.youtube.com/watch?v=y380uMxwvus

Thursday, 05 August 2010

Monday, 26 July 2010

update on the merchants web, almost there...

first viral media for okapi

http://aficionado.co.za/ifor1/2010/07/26/okapi-launch-campaign-by-verster-cohen/

Friday, 23 July 2010

peter beard



Friday, 16 July 2010

Wednesday, 14 July 2010

Tuesday, 13 July 2010

Yes, South Africa can

Yes, South Africa can

July 10 2010 at 08:24AM

By John Carlin

It's been a spectacular success. Everything according to plan, smooth as silk; South Africa successfully re-branded; no unpleasant surprises, and plenty of pleasant ones.

Not a cheep, for example, out of the ludicrous Julius Malema, who the ANC wisely locked up in the attic, as you do with the mad live-in relative when important guests come around.

No reports of any new Zuma off-spring, or even wife. As for the bigger and far more important picture, the games all started on time and were broadcast live around the world without a hitch (though I gather there were some power-cut problems in England "mercifully, perhaps" during one of their national team's relentlessly hapless displays). No massacres of foreign visitors, either, as long advertised in the foreign press.

Crime generally seems to have sunk to Swiss levels of innocuousness during South Africa's four-week World Cup honeymoon.

Archbishop Desmond Tutu famously declared on April 27, 1994, the day all South Africans went to vote for the first time: "It's like falling in love!" Well, 16 years later, it was a renewal of the marriage vows; it was South Africa falling in love with itself all over again.

All those stories, promoted by Fifa, among others, about this being Invictus II, about 2010 being the 1995 rugby World Cup all over again, about healing racial wounds, uniting the fractured nation and so forth, were off the mark. It was much, much better than that.

What we saw was just how united and racially healed South Africa really is, how far we've advanced since the nervy Nineties 1990s. The word for what we have seen in these past few weeks is consolidation. Nothing new, these past years, to anyone who has walked about South Africa, done ordinary everyday things, in seeing black and white people getting along just fine.

All the racial tension stories that surfaced after the death of Eugene Terre'Blanche ("South Africa on the brink of racial war" etc), have been shown to be, as a British friend of mine who knows the country well, succinctly put it the other day, "just so much bollocks".

I've been to watch loads of games at the stadiums, but by far the best memory I take away from the World Cup was the atmosphere at Melrose Arch, in Joburg, during the South Africa-France game. From what I saw there, and from reports of friends and fellow journalists who have taken part in identically joyous events of this kind up and down the country, I'd like to ask a question: "If South Africa is not a united country, then what country is?"

As I have written in these pages before, the thousands gathered before a big screen at Melrose to watch Bafana Bafana's heroic exit from the competition knew in their hearts that it was a lost cause, that their team would not make it to the second round of the competition. But the solidarity was absolute. People of all colours and religions, in what until not very long ago had been an exclusively white residential area, heaving and swaying and singing, celebrating their common South Africanness with proud, unforced energy: what a blow for the legion of dismal sceptics that flood the opinion pages of this country's newspapers!

Never mind black and white, there were a number of Jewish people with yarmulkes on their heads at Melrose and a number of Muslim men with long beards and Muslim women wearing veils on their heads. Where else in the world would you see such people mingling without tension, their national identities trumping ancient religious divides? Not too many places, believe me.

And the great thing is that the world has got to see all this the rebranding really has kicked in.

Via 15 000 fellow journalists that have descended on this country (please, don't anyone tell me ever again that the World Cup was a waste of money!), the entire planet has got to see South Africa's best face - in my prejudiced view, the best face in the world.

I have spoken in the past four weeks to journalists from Mexico, El Salvador, the USA US, China, India, Britain, Germany, Spain - you name it. The first thing that has has surprised them has been the total absence of racial friction. Most of them being white, or white-ish, they concurred that the contacts they had had with black South Africans had been consistently civil, cordial, respectful, good-humoured, even fun.

As for the the panic in their hearts at the prospect of murderous hordes chasing them down dark alleys, the predominant sensation among those who acknowledged they had succumbed to these terrors was embarrassment.

I did a bit of work early on in the competition for a big US television channel, some on-air punditry about South African politics and society. The recording studio was at Nelson Mandela Square in Sandton, just above the big statue of the great man. About 100m away was the television station's tented base of operations.

I and an American producer walked from the studio to the base camp and back half a dozen times. Our trajectory was through a crowded mall. The only potential peril I was aware of was that we might trip on the mechanical escalators and bang our heads.

But you know what? The television station's rules required that on each of these strolls we should be accompanied by a beefy security guard - a dark-suited Nigerian, in this case. The producer I was with honourably squirmed at the timorousness of his employers. The Nigerian kept a poker-face, but inside he was laughing, all the way to the bank.

Worse was the case of the English journalists covering the England camp. The bus they travelled in always had one security escort in front and one behind; four Afrikaner former police officers or soldiers kept watch on them everywhere they went.

At first the journalists were not displeased to have them around. I heard that before the World Cup the bosses of one major British newspaper (won't tell which, but it wrote about the looming racial bloodbath following Terre'Blanche's death) had the brilliant idea, in these troubled economic times, of hiring a security consultant to address the South Africa-bound troops.

A man with a briefcase appeared (presumably working for the same outfit that would later provide the detachment in South Africa) and rattled off the figures for violent crime in the purportedly benighted country, for murder, for rape - not excluding male rape. He put the fear of God into the poor journalists. Four weeks later what they feel is deeply embarrassed.

Talking of journalists, on a less foolish note, the way Fifa and the Local Organising Committee set up the bureaucracy of accreditation and general facilities was a dream.

Cleverly aware of how critical we often unsavoury characters would prove in the marketing of South Africa, they set up a wonderfully smooth operation.

Getting your tickets for games was straightforward and the staff were as cheerful as they were efficient. At the stadium media centres and the press seats the internet connections (journalists' lifeblood these days) were excellent, whether you were in Rustenburg, Bloemfontein or Joburg's Soccer City.

I covered the World Cup in Japan in 2002: this was incomparably more hassle-free. I heard the same from journalists who covered the World Cup in Germany four years ago.

Oh, and let's not forget the Fan Walk in Cape Town, a two and a half kilometre 2.5km vaudeville show from the centre of town to that beautifully elegant Coco Chanel hat of a stadium, along which the massed hordes, thousands of children included, were bursting with bonhomie - so much so that for the semi-final on Saturday the love in the air breathed unexpected life into the sails of old Holland.

The long-buried historical connection with the Dutch (Jan van Who?) suddenly surfaced in the Mother City in a riot of orange. I went up to one orangeman and woman after another, a number flying Dutch flags, and, to my astonishment, all the ones I spoke to turned out to be South Africans.

They were happy Holland won, not least because they avenged Uruguay's unspeakably cruel victory over Ghana. But what they were happiest about was, I think, that they had reclaimed the streets. Save for the odd case of pickpocketing (you get them in Vienna), nothing to fear.

I have a theory - I actually had it, rather more wishfully, before the World Cup - that the criminal classes would go on a patriotic strike during the tournament, doing their bit for Brand SA.

Whether that was it, or whether it was a pragmatic calculation that what with the emergence of these swift and severe World Cup courts and the flooding of World Cup venues with the men and women in blue it might be best to keep their heads down, the fact is that the country has been more relaxed and at peace than it has been for a long time - maybe ever.

Actually, to be serious, huge credit has to be given to the police. I came across loads all over the country and they were, without exception, polite and efficient, oozing civic responsibility. One that I met off duty in a bar in Bloemfontein sang me a symphony of racial brotherhood, banging on - in his cups, a little - about how South Africa was a piano. The black and white keys had to play together, he said, or not at all.

Obviously we'll have to see if all this lasts after the World Cup is over. Enough people have vented their views on this already and there is not much more to add.

Though it will be intriguing to see if the police turn out to be as assiduous in protecting the foreign Africans here, against whom murder and mayhem is threatened (especially in jolly old Cape Town), after the final whistle blows on Sunday night, as they have been in keeping the rather more welcome World Cup visitors safe. We'll have a test case right there of whether it's all been a dream or not.

Which brings us to the first lesson of this World Cup: the primary purpose of government is to protect its citizens. Well, let's absorb that thought and act on it. Sustain the good work that's been done after the show is over and watch this country go.

The second lesson, not at all unrelated to crime, is that if South Africa really puts its mind to something, it can do it, it can make a plan. Fifa has got a pretty bum rap from people in this country for its autocratic ways, but the Swiss-Germanic rigour that's flowed from Zurich has definitely sharpened up levels of efficiency and organisation round here, not to say - the big South African "d" word - of delivery.

Someone who works high up in the Local Organising Committee told me how at first it had been a big culture shock to work with these Swiss; they did not understand each other at all. But in time they established a rapport and the fusing of African ebullience with old European discipline ended up doing the job admirably.

The big lesson I take away from all this is one that I already knew but had forgotten, amidst the distracting babble we read about in the press and, hear and see in the broadcast media from the political classes, chatterers and newspaper columnists.

South Africa is much better, brighter and bigger-hearted than you'd think from paying attention to all that lot. The society is great, and it is the reason why (never mind the safari parks and the fairest Cape) so many of us foreigners who've spent time here find this country more beguiling than any other on Earth. Ordinary people have so much more wisdom, grit, resilience, invention, courage and generosity than you find in most countries.

And some of these ordinary people are to be found, for sure, in the ANC. Even in the upper reaches of the government, if you look hard enough. There are the looters, the hypocrites and the frauds, too, as we all know. We can just hope that the experience of the World Cup might have awoken their better angels, brought out the good that lurks in many of them, that sparked their commitment to politics in the first place.

Failing that, as a friend here says, let's pray that they remain content with taking just five or 10 percent of the national cake, instead of 30 percent or the full damn monty.

Your Julius Malemas - and I use him as a generic term for all that's rotten and silly about the South African political scene - are best ignored. Or rather, friends in the media, try, if you can resist the temptation, not to publish and broadcast what he says. Delve deep, rather, into what he and his like do.

As for Zuma, he is a nice guy and has many of the best instincts of the best South Africa. The problem is that he lacks gumption and sexual maturity. Not much we can do about the latter, but maybe we can prod him to show a bit of principle and character and lead the ANC back to what it once was, abandoning its lootocratic ways. A leader must not be a jellyfish, said PW Botha. Heed those words, Mr President.

Though, perhaps, he won't. In which case, let's take comfort in the knowledge that the country is, I repeat, bigger and better than the state.

If the state does not get in the way, if it actually helps, as it has done with this World Cup (notably the policing, but also the building of infrastructure) then great.

If not, well, South Africans have it in them to make a plan. The big message from this spectacularly successful staging of the greatest show on Earth is that, yes, South Africa can.

Now, with more confidence and pride and calm than ever before, get on and do it.

· John Carlin was the correspondent for the London Independent in South Africa between 1989 and 1995. He has returned to South Africa frequently since then, including nine times in the past 18 months, chiefly to work on television documentaries. He wrote Playing the Enemy, the book on which the Clint Eastwood film, Invictus, is based. The book has been translated into 16 languages, including Spanish and Dutch.

Thursday, 01 July 2010

Sorry Bud.

Sent via my BlackBerry from Vodacom - let your email find you!

Tuesday, 29 June 2010

IMG00800-20100609-1441.jpg

Sent via my BlackBerry from Vodacom - let your email find you!

IMG00794-20100609-1437.jpg

Sent via my BlackBerry from Vodacom - let your email find you!

Sunday, 27 June 2010

Thursday, 24 June 2010

The Ghost Song


Awake.
Shake dreams from your hair
my pretty child, my sweet one.
Choose the day and choose the sign of your day
the day's divinity
First thing you see.

A vast radiant beach and cooled jeweled moon
Couples naked race down by it's quiet side
And we laugh like soft, mad children
Smug in the wooly cotton brains of infancy
The music and voices are all around us.

Choose they croon the Ancient Ones
the time has come again
choose now, they croon
beneath the moon
beside an ancient lake

Enter again the sweet forest
Enter the hot dream
Come with us
everything is broken up and dances.

Indians scattered,
On dawn's highway bleeding
Ghosts crowd the young child’s,
Fragile eggshell mind

We have assembled inside,
This ancient and insane theater
To propagate our lust for life,
And flee the swarming wisdom of the streets.

The barns have stormed
The windows kept,
And only one of all the rest
To dance and save us
From the divine mockery of words,
Music inflames temperament.

Ooh great creator of being
Grant us one more hour,
To perform our art
And perfect our lives.

We need great golden copulations,

When the true kings murderers
Are allowed to roam free,
A thousand magicians arise in the land
Where are the feast we are promised?

One more thing

Thank you oh lord
For the white blind light
Thank you oh lord
For the white blind light

A city rises from the sea
I had a splitting headache
From which the future's made

Wednesday, 23 June 2010

amazing new talent from CSM student Luke Brooks... look closely at the weaves and mixing of textiles (plastics, knits etc) taking inspiration from Africa, the Celtics, mysticism, voodoo and romance..





mars volta album covers












zm925 cool jewellery










black mamba's mating

Incredible photos from the Landbou.com



Wednesday, 16 June 2010

Veldskoene are huge in LA